Jan 122012
 

The National Endowment for the Arts is celebrating the 30th anniversary of its Jazz Masters Awards.

A gala concert Tuesday night at Jazz at Lincoln Center honored the five new recipients of the nation’s highest jazz honor.

The 2012 Jazz Masters are bassist Charlie Haden, drummer Jack DeJohnette, vocalist Sheila Jordan, saxophonist Von Freeman and trumpeter Jimmy Owens, who was honored for his advocacy of jazz musicians’ rights.

When the NEA submitted its 2012 budget proposal to Congress last year, there were concerns that this might be the last Jazz Masters Awards. However, members of Congress intervened to identify funding for the Jazz Masters to continue awarding each recipient a $25,000 fellowship. Since its inception in 1982, the program has given 124 awards to jazz greats.

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Jun 302011
 

At the June 21 memorial service for legendary E Street Band saxophonist Clarence Clemons, Bruce Springsteen delivered a moving tribute to his longtime friend and bandmate. Springsteen has posted the eulogy in its (slightly revised) entirety on his website, and his words are marked with great esteem but also honesty, revealing Clemons to be a great if imperfect man. “As you boys [Clemons’ sons] know your pop was a not a day at the beach. ‘C’ lived a life where he did what he wanted to do and he let the chips, human and otherwise, fall where they may,” Springsteen said during the eulogy. “Like a lot of us your pop was capable of great magic and also of making quite an amazing mess.”

That said, The Boss also spoke to the familial relationship he and Clemons shared. “From the first time I saw my pal striding out of the shadows of a half empty bar in Asbury Park, a path opening up before him; here comes my brother, here comes my sax man, my inspiration, my partner, my lifelong friend,” he said. “Standing next to Clarence was like standing next to the baddest ass on the planet. You were proud, you were strong, you were excited and laughing with what might happen, with what together, you might be able to do.”

Read Springsteen’s eulogy in full for Clemons below.

This is a slightly revised version of the eulogy I delivered for Clarence at his memorial. I'd like to thank all our fans and friends who have comforted us over the past difficult weeks.

FOR THE BIG MAN

I've been sitting here listening to everyone talk about Clarence and staring at that photo of the two of us right there. It's a picture of Scooter and The Big Man, people who we were sometimes. As you can see in this particular photo, Clarence is admiring his muscles and I'm pretending to be nonchalant while leaning upon him. I leaned on Clarence a lot; I made a career out of it in some ways.

Those of us who shared Clarence's life, shared with him his love and his confusion. Though "C" mellowed with age, he was always a wild and unpredictable ride. Today I see his sons Nicky, Chuck, Christopher and Jarod sitting here and I see in them the reflection of a lot of C's qualities. I see his light, his darkness, his sweetness, his roughness, his gentleness, his anger, his brilliance, his handsomeness, and his goodness. But, as you boys know your pop was a not a day at the beach. "C" lived a life where he did what he wanted to do and he let the chips, human and otherwise, fall where they may. Like a lot of us your pop was capable of great magic and also of making quite an amazing mess. This was just the nature of your daddy and my beautiful friend. Clarence's unconditional love, which was very real, came with a lot of conditions. Your pop was a major project and always a work in progress. "C" never approached anything linearly, life never proceeded in a straight line. He never went A... B.... C.... D. It was always A... J.... C.... Z... Q... I....! That was the way Clarence lived and made his way through the world. I know that can lead to a lot of confusion and hurt, but your father also carried a lot of love with him, and I know he loved each of you very very dearly.

It took a village to take care of Clarence Clemons. Tina, I'm so glad you're here. Thank you for taking care of my friend, for loving him. Victoria, you've been a loving, kind and caring wife to Clarence and you made a huge difference in his life at a time when the going was not always easy. To all of "C's" vast support network, names too numerous to mention, you know who you are and we thank you. Your rewards await you at the pearly gates. My pal was a tough act but he brought things into your life that were unique and when he turned on that love light, it illuminated your world. I was lucky enough to stand in that light for almost 40 years, near Clarence's heart, in the Temple of Soul.

So a little bit of history: from the early days when Clarence and I traveled together, we'd pull up to the evening's lodgings and within minutes "C" would transform his room into a world of his own. Out came the colored scarves to be draped over the lamps, the scented candles, the incense, the patchouli oil, the herbs, the music, the day would be banished, entertainment would come and go, and Clarence the Shaman would reign and work his magic, night after night. Clarence's ability to enjoy Clarence was incredible. By 69, he'd had a good run, because he'd already lived about 10 lives, 690 years in the life of an average man. Every night, in every place, the magic came flying out of C's suitcase. As soon as success allowed, his dressing room would take on the same trappings as his hotel room until a visit there was like a trip to a sovereign nation that had just struck huge oil reserves. "C" always knew how to live. Long before Prince was out of his diapers, an air of raunchy mysticism ruled in the Big Man's world. I'd wander in from my dressing room, which contained several fine couches and some athletic lockers, and wonder what I was doing wrong! Somewhere along the way all of this was christened the Temple of Soul; and "C" presided smilingly over its secrets, and its pleasures. Being allowed admittance to the Temple's wonders was a lovely thing.

As a young child my son Sam became enchanted with the Big Man... no surprise. To a child Clarence was a towering fairy tale figure, out of some very exotic storybook. He was a dreadlocked giant, with great hands and a deep mellifluous voice sugared with kindness and regard. And... to Sammy, who was just a little white boy, he was deeply and mysteriously black. In Sammy's eyes, "C" must have appeared as all of the African continent, shot through with American cool, rolled into one welcoming and loving figure. So... Sammy decided to pass on my work shirts and became fascinated by Clarence's suits and his royal robes. He declined a seat in dad's van and opted for "C's" stretch limousine, sitting by his side on the slow cruise to the show. He decided dinner in front of the hometown locker just wouldn't do, and he'd saunter up the hall and disappear into the Temple of Soul.

Of course, also enchanted was Sam's dad, from the first time I saw my pal striding out of the shadows of a half empty bar in Asbury Park, a path opening up before him; here comes my brother, here comes my sax man, my inspiration, my partner, my lifelong friend. Standing next to Clarence was like standing next to the baddest ass on the planet. You were proud, you were strong, you were excited and laughing with what might happen, with what together, you might be able to do. You felt like no matter what the day or the night brought, nothing was going to touch you. Clarence could be fragile but he also emanated power and safety, and in some funny way we became each other's protectors; I think perhaps I protected "C" from a world where it still wasn't so easy to be big and black. Racism was ever present and over the years together, we saw it. Clarence's celebrity and size did not make him immune. I think perhaps "C" protected me from a world where it wasn't always so easy to be an insecure, weird and skinny white boy either. But, standing together we were badass, on any given night, on our turf, some of the baddest asses on the planet. We were united, we were strong, we were righteous, we were unmovable, we were funny, we were corny as hell and as serious as death itself. And we were coming to your town to shake you and to wake you up. Together, we told an older, richer story about the possibilities of friendship that transcended those I'd written in my songs and in my music. Clarence carried it in his heart. It was a story where the Scooter and the Big Man not only busted the city in half, but we kicked ass and remade the city, shaping it into the kind of place where our friendship would not be such an anomaly. And that... that's what I'm gonna miss. The chance to renew that vow and double down on that story on a nightly basis, because that is something, that is the thing that we did together... the two of us. Clarence was big, and he made me feel, and think, and love, and dream big. How big was the Big Man? Too fucking big to die. And that's just the facts. You can put it on his grave stone, you can tattoo it over your heart. Accept it... it's the New World.

Clarence doesn't leave the E Street Band when he dies. He leaves when we die.

So, I'll miss my friend, his sax, the force of nature his sound was, his glory, his foolishness, his accomplishments, his face, his hands, his humor, his skin, his noise, his confusion, his power, his peace. But his love and his story, the story that he gave me, that he whispered in my ear, that he allowed me to tell... and that he gave to you... is gonna carry on. I'm no mystic, but the undertow, the mystery and power of Clarence and my friendship leads me to believe we must have stood together in other, older times, along other rivers, in other cities, in other fields, doing our modest version of god's work... work that's still unfinished. So I won't say goodbye to my brother, I'll simply say, see you in the next life, further on up the road, where we will once again pick up that work, and get it done.

Big Man, thank you for your kindness, your strength, your dedication, your work, your story. Thanks for the miracle... and for letting a little white boy slip through the side door of the Temple of Soul.

SO LADIES AND GENTLEMAN... ALWAYS LAST, BUT NEVER LEAST. LET'S HEAR IT FOR THE MASTER OF DISASTER, the BIG KAHUNA, the MAN WITH A PHD IN SAXUAL HEALING, the DUKE OF PADUCAH, the KING OF THE WORLD, LOOK OUT OBAMA! THE NEXT BLACK PRESIDENT OF THE UNITED STATES EVEN THOUGH HE'S DEAD... YOU WISH YOU COULD BE LIKE HIM BUT YOU CAN'T! LADIES AND GENTLEMEN, THE BIGGEST MAN YOU'VE EVER SEEN!... GIVE ME A C-L-A-R-E-N-C-E. WHAT'S THAT SPELL? CLARENCE! WHAT'S THAT SPELL? CLARENCE! WHAT'S THAT SPELL? CLARENCE! ... amen.

I'm gonna leave you today with a quote from the Big Man himself, which he shared on the plane ride home from Buffalo, the last show of the last tour. As we celebrated in the front cabin congratulating one another and telling tales of the many epic shows, rocking nights and good times we'd shared, "C" sat quietly, taking it all in, then he raised his glass, smiled and said to all gathered, "This could be the start of something big."

Love you, "C".

Jun 192011
 


From the New York Times:

Clarence Clemons, the saxophonist in Bruce Springsteen's E Street Band, whose jovial onstage manner, soul-rooted style and brotherly relationship with Mr. Springsteen made him one of rock's most beloved sidemen, died on Saturday at a hospital in Palm Beach, Fla. He was 69. The cause was complications of a stroke he suffered last Sunday at his home in Singer Island, Fla., a spokeswoman for Mr. Springsteen said.

Read more here.

 

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Jun 152011
 

Lady Gaga

E Street Band saxophonist Clarence “The Big Man” Clemons is said to be in “responsive and stable condition” after suffering a stroke earlier this week. Now, one of his most recent collaborators, Lady Gaga, has posted a 13-minute compilation of well wishes to her official YouTube channel.

Gaga has been tweeting her love for the acclaimed musician since news of his health problems first surfaced. On Monday, she asked her legion of fans to “make some get well videos” for Clemons, who she calls “my very close friend.”

Later that same day, she tweeted, “In bed with Mommy thinking about Clarence, I can't wait for you to see the beautiful video we made together. He's a really special person.”

Clemons lent his talents to two tracks – “Hair” and the current Billboard top 10 hit “Edge of Glory” – on Gaga’s mega-selling album Born This Way. Of working with Gaga, Clemons told Rolling Stone, "It was a day I'll never forget. When I left the studio, it took me a few days to come down. What she does, man, it just blows my mind.”

It seems she feels the same way.

Check the video out below.

Jun 132011
 

From the Huffington Post:

Saxophonist Clarence Clemons of Bruce Springsteen's E Street Band has suffered a stroke.

A person who has worked with Clemons in the past confirmed Sunday night that Clemons had the stroke. The person spoke on condition of anonymity because the person was not authorized to speak on the matter. The person had no additional information on Clemons' condition.


Clemons is known as the Big Man in the E Street Band and his sax has been one of the most defining elements of the band's sound. He has suffered from numerous ailments over the last few years. He had double knee surgery and even had to perform from a wheelchair at one point.

Read more here.

 

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Jun 102011
 


Black Angels Over Tuskegee
: Winner of the 2009 NAACP Award for Best Ensemble, Layon Gray's historical drama tells the true story of the six men who became the first African-American fighter pilots in the U.S. Army Air Forces. The play goes beyond the headlines of popular stories and reveals the heart and soul of the Tuskegee Airmen. Read more.


Jazz For Kids
: If you're in the mood to spend some quality time with the kids this weekend, try jazzing it up a bit with 'Jazz For Kids.' Taking place at New York City's 55 Bar, Vocalist-pianist-saxophonist Amy Cervini introduces America's next generation to the magic of jazz. You can catch Cervini's smooth sounds for an hour beginning at 2PM on Sunday for $5. Read more.

 

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